Many years ago the Output transformer crapped out and I had it replaced along with a cap job. Black tolex... €309.00 * Add to cart. The original (6G16 circuit) Vibroverb was introduced in February 1963. 3 Prong Cable Updated, Recently Serviced by Dave Vidal. The tube count has been extended to eight, and tremolo has been added to one of the channels. It has the same electronics as the 5g4. 510-898-8123 sales@headstrongamps.com One Man, One Vision, Two Hands! Jensen Replacement Speakers; Contact. Rough brown tolex body, with original maroon (oxblood) grill cloth. Amp Clone P65 - 15W Reverb AA1164* Brownface 65 Style P65 - 15W "Princetoner" Reverb is genuine vintage amp, based on legendary AA1164* Brownface 65 Reverb Style amplifier from 1965 year! As prescribed by law, the first guitar in was the Tele. "This amp is truly two-channel in that each side has its own separate set of controls. I think that the Pro/Super are right in the sweet spot when it comes to the power range needed for a live jazz gig. 1961 Fender Super Amp - "Brownface" 2x10" Tube Amplifier Clean, rare and highly sought after 1961 Fender Super Amp from the "Brownface"-aera in very good condition for its age and all mostly original. This Brownface Pre-CBS tube amp was produced early in '62 with original transformers, a very original and freshly serviced circuit, a full compliment of new tubes, and a pair of Oxford 10K5 speakers with original cones and molded brown Fender-branded bell covers. It sported typical "brownface" cosmetics, with brown "Tolex" covering (introduced in 1959), and wheat-colored speaker cloth. Cut ends for installing (soldered connection) into many vintage amps using a 3-wire cord (or for upgrading 2 wire cords in older amps). Fender had many issues since most folks let their amps get out of bias spec and the tremolo would then go away or sound very faint. Excellent condition 1962 Fender Brownface Super with all original internal electronics and caps. The rectifier tube is a GZ34, allowing tube saturation at lower volume levels (though not quite enough for typical bedroom use). Comes complete with original Footswitch; Original Amp cover made by The Victoria Luggage Company. This is a near mint example - a true time capsule, complete with the 'Tremolo' foot-switch and the original brown cloth cover. It is an outstanding amp. (In the vintage amplifier world, the terms ‘Brownface and’ ‘Blackface’ – referring to the amp’s white lettering on a brown or black control panel – have no relation to what those terms mean in current political or cultural contexts). This Fender Brownface repair was something of a labour of love here at Keld Ampworks. The Super 5F4 (1957-60) and 6G4 (1960-62) were purportedly Leo Fender's personal favorites. Material used & design specs. 5F4 Tweed Super 2×10; 6g4a Brownface Super 2×10; 6G5A Brownface Pro 1×15; 6G2 Brownface Princeton 1×10; 5e5a Tweed Pro 1×15; 6G3 Brownface Deluxe 1×12; Head. Because it's a function of the power amp, the Presence control is shared by both channels. Originally released in the 1948, the Fender Super Amp was the company's first multi-speaker amplifier, originally named the "Dual Professional" before becoming the Super Amp in 1950. The name 'brownface' stems from the brown-colored control panels, common to both the brown- and cream/blonde- … The copyrights of the images and other material on this web site are owned by Fretted Americana Inc., Super (Brownface with Oxblood Grill) Amplifier 6G4 Amplifiers. Speakers have been changed to 2*10 Weber's, which work incredibly well for this amp. ‘Brownface’ amps appeared in 1959 and were built until 1963, followed by ‘Blackface’ amps in late 1963 to 1967, and then superseded by ‘Silverface’ models. The Brownface-era amps of the early 1960s featured electronics which are essentially the same as Concert Amp, Pro, and Bandmaster but with a tube rectifier. How much is my amp worth? These amps were quite popular with professional players, including the incredible Tommy Tedesco on his uncountable sessions as part of The Wrecking Crew – a loose group of Los Angeles studio players who played on an extremely wide range of material. Stream Fender Brownface Super Amp 61.lillian by Ross Produccion from desktop or your mobile device Super 47 Dual Professional 5A4 5B4 Layout-Only 5C4 5D4 5E4 5E4-A 5F4 5G4 6G4 6G4-A Super 60 Super Reverb AA763 AB763 AB568 AA1069 AA270 cbs 45w MstrVol cbs 70w MstrVol Super Six Reverb 100W 100W Master Vol. A Brief History Of Brownface Era Amplifiers Introduced in 1959 and discontinued in 1963, the Brown/Blonde Era of Fender amps was short-lived, but acquainted the American amp world with a number of new design features and prepared us all for the Blackface Era (but we’ll get to … The first comment was a unison "whole different ball of wax." Early circuit with 6L6GC powertubes, befor they changed to 5881. The classic sound comes from the use of a GZ34 Rectifier, two 12 AX7's, four 7025 (12 AX7's) and two 5881's (6L6's) power tubes. The power-trany has been replaced with a equal transformer for EU conditions (240V) and the powercable has been changed for security reasons, and the original 10" … 1960 Fender Super Pre-CBS Brownface Vintage Tube Amp 2×10 with Oxford 10K5 Up for sale, a 1960 Fender Super in excellent condition and in perfect working order. The chart inside the cabinet has "KF" (June 1961) and the production number "20" stamped in black. 6g4a Brownface Super 2×10; 6G5A Brownface Pro 1×15; 6G2 Brownface Princeton 1×10; 5e5a Tweed Pro 1×15; 6G3 Brownface Deluxe 1×12; Head. All Rights Reserved •, ⚌Reduced‼ Arthur Hansel Steel String Guitar Natural, 1952. ©2021 The Twelfth Fret. This period marked the beginning of Fender's use of Tolex to cover amp cabinets. Fender Brownface repair – Super Amp 6G4A. "(Ritchie Fliegler. 1960 Fender Super Amp "Brownface" - 2x10" Combo Super clean 1960 Fender "Brownface" Super Amp in excellent condition and all original including all caps, only an aditional tranny has been mounted internally for the transformation 110V to 240V (the step-down converter is reversable at any time!). Cord length is a super-long 15 feet, cord thickness is 0.31 inches (about 5/16" or 7.9mm). Hello, Ideally looking for a Brownface Fender Super in good working condition or a Brownface Deluxe. It’s a fascinating amp – having started life presumably in America, it’s got a 110V transformer. Also "C6942" on each frame and "W533" on each speaker cone. In 1960, the Super amp went through a major overhaul both in circuitry and cosmetics. Tube chart "LA" indicates this amplifier was built in January 1962. And they sound just great. ‘Brownface’ amps appeared in 1959 and were built until 1963, followed by ‘Blackface’ amps in late 1963 to 1967, and then superseded by ‘Silverface’ models. At this point, the Fender Super Amp was a 40 watt amp using the 6G4-A circuit and 5881 tubes, with a pair of ten inch Jensen speakers. But if you aren’t caught up with the entire debate, here’s a complete timeline, as well as what Singapore can learn from it when it comes to preserving racial harmony. Established 2003. Frankly, its harder to get the Bias Modulation working right and tube bias is critical to it sounding right. The serial number "03749" is stamped in blind on the chassis. Here we’re looking at a Fender Super Brownface amp, with the ‘brownface’ trim putting it directly between the ‘Blonde’ and ‘Blackface’ eras. How old is my vintage amplifier? Weight is around 47 pounds or 21 kg, so it is still portable, loud, and highly effective, but not as bulky as the 4×10 Super Reverb that followed it. In fact, it was a different creation through and through. 1961 Fender Super (Brownface with Oxblood Grill) Amplifier 6G4.A near mint, June 1961 Super Combo 6G4 (Rough Brown Tolex / Brownface with Maroon / Oxblood Grill). p.28). ... and they were called the Professional Series: Bandmaster-Amp, Concert-Amp, Pro-Amp, Super-Amp, the Twin-Amp (production halted Feb-May 1960, resumed as the blonde Twin) and the Vibrasonic-Amp. 1961 Fender Super (Brownface with Oxblood Grill) Amplifier 6G4. This amp dates to 1962 and is in overally good, original and almost complete condition – the preamp tube covers are missing. Features Fender Super*, Super Reverb*, 40 Watts Physically, parts were designed to look similar to original factory units (where possible). Originally released in the 1948, the Fender Super Amp was the company's first multi-speaker amplifier, originally named the "Dual Professional" before becoming the Super Amp in 1950. SCHEMATICS AND LAYOUT DIAGRAMS Here are hundreds of original Fender schematics and layout diagrams, available for free viewing and download. The Brownface circuit produces a softer and more organic pulse. Title of post being viewed during contact. The Brownface-era amps of the early 1960s featured electronics which are essentially the same as … This amazing amp will give you that perfect early-sixties "clean" tone that everyone wants… It weighs 48 lbs, boasts 30 watts and has two Jensen P10Q ten-inch speakers with codes "220 045" & "220 049" (Jensen, November & December, 1960). The cabinet measures 24 1/4 (W) x 18 1/2 (H) x 10 1/2 inches (8 1/2 inches at the top). The ‘brownface‘ saga has taken Singapore’s social media platforms by storm, and Singaporeans are clearly split on the issue. Nicest Example of a Brownface Super Amp we’ve seen anywhere. The Brownface series was introduced in 1959 and discontinued in 1963. The other half of Rock 'n' Roll. The grill cloth has a minor tear and there is a slight stain on top of the tolex. The three transformers are stamped "125 P5B / 606-113", "125 C1A / 606-031"  and "45216 / 606-116" (Schumacher, March 1961, August 1960 & April 1961). Originally introduced as the Dual Professional in late 1946 and renamed in 1947, the Fender Super Amp started as a 20 watt, 2×10 combo, rising to a whopping 40 watts by 1962, and was discontinued in 1963. The speaker lineup and the output transformer were based on the Super amp of the time and the circuit based on the Vibrolux of the time, with no presence control and only one 12AX7 tube for the tremolo effect. As with these amps the tremolo wasn’t working properly, it had a pulsating effect. In 1960, the Super amp went through a major overhaul both in circuitry and cosmetics. PDF format. Appreciate that SUB! This amp dates to 1962 and is in overally good, original and almost complete condition – the preamp tube covers are missing. The amp circuit (6g4) was restored by a competent tech and this amp has some great tones. Thanks for watching guys, please comment what you think! We believe that this is the most complete, highest resolutio The Entire Prettipls ‘Brownface’ Saga, From Insensitive Ad To Rap Parody. Tube chart "LA" indicates this amplifier was built in January 1962.

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